Showing posts with label mary shelley. Show all posts
Showing posts with label mary shelley. Show all posts

November 30, 2009

Episode 18 - The Dark Adventures of H.P. Lovecraft


“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents… some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new Dark Age.”

H.P. Lovecraft in “The Call of Cthulhu”

Everyone knows Stephen King, everyone knows Edgar Allan Poe, but ask your friends and I bet you'll get the same answer from 9 out of 10: "No, I don't know H.P. Lovecraft. Should I?" Well, there is a strong enough reason why Danse Macabre kicks off its journey through the long list of literary and cinematic horror authors with the candle-carrying fellow pictured above and below. It just wouldn't be possible to continue with the show at this point without introducing the most influential horror writer of the 20th century - Mr. Howard Phillips Lovecraft out of Providence, Rhode Island, United States, born in 1890 and passed on in 1937.


If you're asking yourself whether you've seen any film based on his works, please don't. Although there are numerous films that carry the Lovecraft name, few of them can even begin to compare with the written word. Of course, there's the cult horror comedy known as Re-Animator (1985) based on the short story "Herbert West: Re-Animator" but it's the exception rather than the rule. Besides, the film never deals with the philosophy that festers at the roots of Lovecraft's work and makes this skinny fellow influential to this very day.


OK, so let's try to sum Lovecraft in a couple of paragraphs. As you'll notice, it takes bits and pieces from another author we have discussed i.e. Mary Shelley, and more importantly, every current author of the macabre worth his salt is indebted to some extent to Lovecraft (King and Barker, especially). Well, here it goes...

As deep as the human imagination might seem to us, humanity cannot really grasp concepts that go beyond its existence, beyond that which makes itself apparent. Science does give us new answers each day but it has its limitations. We are as small in the grand scheme of the World as a microbe is small in comparison to us, so how could we ever aspire to understand what lies on the other side of our current knowledge? How could we aspire to control it? To surpass it?

Lovecraft's heroes, stranded before alien civilizations and strange cults, are aware of the power hidden behind these great truths, yet they continue to challenge them in their search for a semblance of real knowledge. When faced with the truths of the Universe, though, these same characters go on to become clinically insane, as true knowledge becomes so horrifying to them that they feel it would be best to shun it. Ignorance would be bliss in face of the horrors they come to know, but still, they try to grasp them and never give up until it's too late.

Lovecraft’s cynicism towards science and human knowledge is pervasive, thus molding dark, brooding worlds where no light can be shed about its ancient, occult secrets, and where mankind faces indescribable horrors, powerless to defend itself against them. Just check out the Cthulhu mythos in all its glory.


This and more is the subject of the 18th episode of the show, originally aired on 2 October (we know we're late with the episodes but we promise, we'll get in step soon!). Musically speaking, it's time for some prog rock via King Crimson and Caravan as well as the perfectly suitable Isis and Nick Gisburne's reading of Lovecraft's early story "The Beast in the Cave".

>>> Stream the episode away!

>>> Download the whole thing and don't look back!

August 2, 2009

Episode 13: It's Alive!


The last episode of our first season aired on July 17th, completing the run of what we'd like to think of as "the basic episodes", the ones dealing with the foundations of the horror genre, its core archetypes, characters and media. The monster we kept for the big finale is probably the biggest of them all, deeper and more interesting than any vampire of the month (yes, including Eric from True Blood), the one and only Thing-Without-A-Name a.k.a. Frankenstein. Just how this literary creation became such a phenomenon over the course of the last 200 years, what bastardization was necessary to make Mary Shelley's complex story digestible for the masses, and what a deity Boris Karloff really is, makes for a truly tough puzzle, one that we were more than happy to discuss during our lucky 13th show.


The Thing-Without-a-Name is the fourth archetype Stephen King analyzes in Danse Macabre, along with the werewolf, the vampire and the ghost. The Thing... is basically a story about humankind's self-destruction in the attempt to reach for knowledge or power that is beyond what it can handle, parallel in many ways to the contents of Pandora's box. The focus of Mary Shelley's Frankenstein; or the Modern Prometheus is Victor Frankenstein, the scientist that aims to copy God (creating a human being from nothing, not from "left-over" body parts!), and the monster is the horror, the punishment that he has to bear for his actions.

In this sense, Shelley's Frankenstein has been called the first novel of the "mad scientist" sub-genre. Of course, popular culture has changed the naive, well-meaning Victor Frankenstein into a much more corrupt character just as it has changed the creature into a more sensational, dehumanized being than was originally portrayed. In the original story, the worst thing that Victor does is to neglect the creature out of fear. He does not intend to create a horror. The creature, on the other hand, begins as an innocent, loving being, and develops bitterness and hatred only after the world rejects him because of his appearance (the rejection is so extreme, the creature doesn't even have a name!). There are absolutely no "abnormal brains" involved anywhere in the process, trust me :)

Just as Victor highlights scientific knowledge as potentially evil and dangerously alluring - it is said that Mary Shelley considered the original Prometheus evil - so do all others representatives of this archetype, most notably H.P. Lovecraft (who we'll get to know better next season).

Again, almost all of this rich story about what it means to be human - not a "thing", not a god - has been lost in the book's translation to other media, be it theater, comic book or film. Some have at least attempted resemblance to the original, even as a parody, but the flood of movies that only nominally include Frankenstein is what most of us know and cherish. The best example of this, I think, is Ishiro Honda's Frankenstein Conquers the World, probably the last word in trash movies the world has ever needed!



So the first season of Danse Macabre is over, and what did we prepare for you musically to mark this occasion? Well, after several episodes of italo prog and industrial, it's time to get back to honest-to-God psychobilly! This means, lots of Dr. Frankenstein, Man or Astroman? and The Cramps dashed with quite a few references to good old Frankenstein. 'Till next season and the heap of surprises we are preparing, enjoy the show!

>>> Download the episode, good man!

>>> Stream the episode, Scottie!


Oh, and don't forget to eat your daily bowl of Frankenberry cereals!

July 11, 2009

Frankenstein Posters


There comes a moment in every man's life when he has to ask himself: just how on earth did Mary Shelley's Thing-Without-A-Name become the distorted blood-thirsty monster we know as Frankenstein? Has nobody ever read the book? Ah, well... I'll be honest: I am not a big fan of Frankenstein, the monster, and I think the original Universal film was pure rubbish saved by Boris Karloff's performance (come on, the whole film is based on the idiotic plot device known as ABNORMAL BRAIN). That said, I love the concept of Frankenstein with everything it involves including the string of trash-to-the-bone films and posters it has inspired. Just look at that Frankenstein vs. Baragon poster at the bottom of this post! Is it genius or what? You will find much more of that in what follows. Enjoy!







































July 10, 2009

From Darkness to Light



This is what makes Web 2.0 tools so special. I'm sure it's 100% illegal but deleting something as magical as this simple combination of two video and audio clips would be a true crime. Even as the lyrics of the song by Tuxedomoon do not match the legendary Frankenstein scene, the mood is perfectly sublime. Cheers to Mary Shelley, cheers to Boris Karloff, cheers to Stamatellos!